With my knowledge and experience in video production and photography, I am ready to deliver you video or photos in top quality. Im perfectly using Adobe Premiere Pro CC, DaVinci Resolve, Photoshop and Lightroom. I am a specialist in video editing weddings, music videos and food videos. Speaking of which, I found a pretty cool cage also made by CAME-TV that I used with the BMMCC: /cametv-cage-for-blackmagic-micro-cinema-camera-p-721.html 10 years of experience in video production. Get your work done faster with the Premiere Pro family of apps, connected to each other and to your creative assets by Creative Cloud, providing a more. I also wanted to test how the BMMCC played with my CAME-TV Single 3 Axis Gimbal: /camesingle-3-axis-gimbal-camera-32bit-boards-with-encoders-p-673.html The Adobe Premiere Pro CC 2015.3 release (June 2016) delivers easy proxy media creation that allows you to switch seamlessly between original high-resolution and proxy low-resolution clips. I would have been very content if Blackmagic gave us 48FPS in the BMMCC, but they went a little further and gave us 50FPS and 60FPS. I put together this first video in order to test one of the main features that was missing in (my favourite camera of all time) the Blackmagic Pocket Cinema Camera (BMPCC) high-frame-rates. I was lucky enough to be chosen by Blackmagic to test their up-and-coming Blackmagic Micro Cinema Camera (BMMCC). Also, users who are already using the new version noticed errors in synchronization with Audition. Lit entirely by available/natural light only. So, if you have an outdated audio system on your PC, then the sounds in the clips that you imported may disappear. Edited in Adobe Premiere Pro CC 2015 and graded with Lumetri. Frame-rate at 60FPS with shutter angle set to 72degrees. TECHNICAL NOTES: Filmed with Sigma 18-35mm F1.8 ART lens + Metabones Canon EF to BMPCC Speed Booster, and Panasonic 12-35mm F2.8 (gimbal shots only). Jeff Bellune said: If you do a copy/paste and the audio waveforms disappear, you can get them back by parking the CTI somewhere over the affected clip in the timeline and doing a match frame operation to. MUSIC: Zack Hemsey - Vengeance ( /au/album/the-way/id447482308) Premiere will render just the new audio portion that resulted from setting a new IN (or any other edit) and promptly display the waveform.